{"id":114,"date":"2015-08-02T22:46:11","date_gmt":"2015-08-02T22:46:11","guid":{"rendered":"http:\/\/samplingtheworld.fsannicolas.com\/?p=114"},"modified":"2017-05-21T10:18:19","modified_gmt":"2017-05-21T10:18:19","slug":"elogoxa-once-upon-a-time-13","status":"publish","type":"post","link":"https:\/\/samplingtheworld.fernandosannicolas.com\/?p=114","title":{"rendered":"ELOGOXA &#8211; Once Upon a Time"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\">Note: This is the first post on a series about my time at ELOGOXA\u00a0that I&#8217;ll write about. In the future I&#8217;ll post about\u00a0a couple of plugins I designed at the time, Kriptonia and Xs-MoDelay. Feel free to come back and check some sound examples I&#8217;ll share on them.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\"><a href=\"http:\/\/www.uv.es\/ruizcan\/p_vst.htm\"><br \/>\nELOGOXA<\/a>\u00a0was a small Spanish group geared towards the creation and development of VST plugins with Jeff McClintock&#8217;s Synth Edit. We were a bunch of\u00a0people collaborating remotely from different cities approximately from 2002 to 2005, and for most of us it was a fun way to experiment and learn on different areas of DSP processing and plug-in design and development.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\"><br \/>\nOutlined, among others at\u00a0the leading audio magazine\u00a0<a href=\"http:\/\/www.soundonsound.com\/sos\/jul04\/articles\/pcmusician.htm\">Sound on Sound in July 2004<\/a>\u00a0by Martin Walker on Music Freeware, our aim was\u00a0pushing the envelope creating designs out of the ordinary both in terms of concept and user interface.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\"><em>&#8220;Of particular merit are the stunning freeware designs by Spanish developer group Elogoxa (www.elogoxa.net), including a virtual recreation of Bob Fripp&#8217;s &#8216;Frippertronics&#8217; delay using two Revox B77 tape machines running a continuous tape loop. Elottronix XL looks wonderful (see the screen at the start of this article) and offers up to 80 seconds of delay, plus LFO pan, Biquad X filtering and a tape-noise generator. Other offerings include the highly unusual distortion and feedback synth effects offered by &#8216;The Devil Inside&#8217;, a mastering X-Cita inspired by BBE&#8217;s Sonic Maximiser, and the vintage style Baxxpander to add warmth and saturation effects. However, for me the highlight is Sun Ra, a free-running or keyboard-controlled VST Instrument that creates complex ambient textures from samples originating from real solar sources. Wonderful!&#8221;<\/em><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\"><br \/>\nIn addition, X-Cita was recommended in\u00a0<a href=\"http:\/\/www.soundonsound.com\/sos\/dec08\/articles\/cubasetech.htm\">Sound on Sound December 2008<\/a> by John Walden on Vocal Processing as a freeware alternative to established commercial products.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"http:\/\/soundcery.fsannicolas.com\/files\/gimgs\/11_x-cita.jpg\" alt=\"\" width=\"247\" height=\"220\" \/><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\">Some of the ELOGOXA\u00a0plug-ins were reviewed [positively, I hope :)] as well by the Japanese DTM Magazine in March 2003.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"http:\/\/soundcery.fsannicolas.com\/files\/03.jpg\" alt=\"\" width=\"493\" height=\"786\" \/><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\">The X-Cita VST plug-in was included in Soundscape\u00a0by Sidec Audio, now a Solid State Logic Group company. Other plug-ins from ELOGOXA\u00a0were included in <a href=\"http:\/\/www.museresearch.com\/products\/plug-ins.php\">Muse Receptor<\/a>\u00a0VST hardware host by Muse Research and the Open Labs production stations.\u00a0Below you will find pictures from other plug-ins\u00a0I developed during my time with ELOGOXA.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"http:\/\/soundcery.fsannicolas.com\/files\/gimgs\/11_ds.jpg\" alt=\"\" width=\"172\" height=\"300\" \/><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"http:\/\/soundcery.fsannicolas.com\/files\/gimgs\/11_elooper.jpg\" alt=\"\" width=\"560\" height=\"548\" \/><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"http:\/\/soundcery.fsannicolas.com\/files\/gimgs\/11_na-1.jpg\" alt=\"\" width=\"480\" height=\"361\" \/><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 10pt;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"http:\/\/soundcery.fsannicolas.com\/files\/gimgs\/11_na.jpg\" alt=\"\" width=\"480\" height=\"359\" \/><\/span><\/p>\n<p><span style=\"font-size: 10pt;\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" src=\"http:\/\/soundcery.fsannicolas.com\/files\/gimgs\/11_lrringmodulator.jpg\" alt=\"\" width=\"308\" height=\"168\" \/><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"excerpt\">Note: This is the first post on a series about my time at ELOGOXA\u00a0that I&#8217;ll write about. In the future I&#8217;ll post about\u00a0a couple of plugins I designed at the time, Kriptonia and Xs-MoDelay. Feel free to come back and check some sound examples I&#8217;ll share on them. ELOGOXA\u00a0was a small Spanish group geared towards the creation and development of&hellip; <a href=\"https:\/\/samplingtheworld.fernandosannicolas.com\/?p=114\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[24,21],"tags":[25,20],"_links":{"self":[{"href":"https:\/\/samplingtheworld.fernandosannicolas.com\/index.php?rest_route=\/wp\/v2\/posts\/114"}],"collection":[{"href":"https:\/\/samplingtheworld.fernandosannicolas.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/samplingtheworld.fernandosannicolas.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/samplingtheworld.fernandosannicolas.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/samplingtheworld.fernandosannicolas.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=114"}],"version-history":[{"count":33,"href":"https:\/\/samplingtheworld.fernandosannicolas.com\/index.php?rest_route=\/wp\/v2\/posts\/114\/revisions"}],"predecessor-version":[{"id":408,"href":"https:\/\/samplingtheworld.fernandosannicolas.com\/index.php?rest_route=\/wp\/v2\/posts\/114\/revisions\/408"}],"wp:attachment":[{"href":"https:\/\/samplingtheworld.fernandosannicolas.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/samplingtheworld.fernandosannicolas.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/samplingtheworld.fernandosannicolas.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}